Showing posts with label Baroque project : Painting. Show all posts
Showing posts with label Baroque project : Painting. Show all posts

Thursday, November 20, 2014

Martyrdom of Saint Philip, RIBERA.

The Martyrdom of Saint Philip is a painting made by José de Ribera. This painting was painted in Nápoles, Italia in 1639. It isn't certain but is thought that the painting was commissioned by Philip IV.
The size of the Martyrdom of Saint Philip  is 234cm x 234cm and the material José de Ribera used to do the painting wasoil over canvas. At the moment the painting is in El Prado Museum, Madrid.



José de Ribera used the oil as a technique. This painting represent the preparations for the martyrdom of the saint. The saint is hanging on a strong and big piece of wood and around him there are some mans who one of them is holding his legs and the others are pulling the ropes. On the right side there is a group of people who are looking at the scene and talking about it and on the left side there is a group of people who don't undestand what happening.
In this painting the dark colours predominate although there are some light colours. Most of the light is concentrate in the saint and in the upper part of the painting. The Martyrdom of Saint Philip symbolyze the dramatic quality.

Their main features are oil painting, predominance of colour over drawing, contrast of light and realism.

The most outstanding by José de Ribera was that he created a natural style. 

    


BIBLIOGRAPHY:




The Surrender of Breda, Velázquez. Nuria Iniesta

The Surrender of Breda, Diego Velázquez.

It was completed during the years 1634–1635, inspired by Velázquez's visit to Italy with Ambrogio Spinola, the Genoese general who conquered Breda on June 5th of 1625.

This painting was a assignment to Velázquez from Philip IV. In the early 1630s, a massive project to build and decorate a new palace for Philip IV was underway outside of Madrid.


Philip IV


Called Buen Retiro, the palace was intended as a retreat for the king and his court. In addition to the temporary spectacles that were there, Buen Retiro came to house a big collection of art by some of the greatest painters of 17th century in Spain.



Drawing of the Buen Retiro Palace



http://ep00.epimg.net/ccaa/imagenes/2013/10/21/madrid/1382381507_853821_1382383386_noticia_normal.jpg

Among the works commissioned for the palace was a series of twelve paintings for the Hall of Realms, where royal audiences and other ceremonies took place. The paintings, by different artists, depicted recent Spanish victories.

Technical data:
  • Type: Oil on canvas. 
  • Dimensions: 307 cm x 367 cm (121 in x 144 in). 
  • Location: Museo del Prado, Madrid, Spain. 

The Surrender of Breda commemorates the capture of the city of Breda during the Eighty Years’ War, a conflict between Spain, which controlled the Low Countries, and the Dutch, who were fighting for political independence.

This painting is a perfect representation of the collection of atmospheric and chromatic light.








This painting shows the third day after the battle between Spain and the Netherlands. The work is not focused on the battle itself, but rather in the reconciliation. That’s why both armies, the Spanish on the right and the Dutch on the left, although days before were killing each other in battle, here they share a peaceful atmosphere, which contrasts with the smoke coming up from fires at the background.

The canvas is divided into five horizontal bands, which are the foreground, the area of activity and focus, a view of Breda in the distance, the countryside and the blue sky and horizon. The horizon is very high, and represents the threatening atmosphere there is due to the conflict between the Spanish and the Breda peoples. All bands except for the one with the two peoples are painted in rather muted and dark colors to represent the sadness and tension of the Breda militaries. A line of vertical spears behind the Spanish is balanced by the Dutch weapons being closer to the left to show a diagonal approach of the Spanish. At the main focus the commander of the Dutch army, Justin Nassau, gives the keys of the city to Spinola. The key represents the key of the painting as a whole, locking all other components into place. On the right is the tilted flag, and below the horse's legs, the document of surrender is in the lowest right. On Nassau, his white ruff and sleeves represent surrender of his town. The whole picture represents Velazquez's attempt to snapshot what actually happened, showing how one officer is staring at the viewers and another is gazing at the distant sky. He did this to make the viewers believe that the painting was an actual capture of what happened during the capture of Breda.


Details of The Surrender of Breda.








Traditional scenes of surrender in early modern Europe, generally the winner was showed raised above the vanquished.

In this painting we can recognize different features of the Baroque style, like: movement, use of olil painting, predominance of colour over drawing, use of warm colours, contract of light and shadow, complex compositions in order to shock the curdience (asymmetry, curved lines), realism in representations…

Diego Velázquez

He was a Spanish painter who was the main artist in the court of King Philip IV and one of the most important painters of the Spanish Golden Age. He was an individualistic artist of the contemporary Baroque period, important as a portrait artist.




http://www.nndb.com/people/913/000071700/velazquez-sm.jpg

Velázquez is often cited as a key influence on the art of Édouard Manet, important when considering that Manet is often considered the bridge between realism and impressionism.



Édouard Manet.


The importance of Velázquez's art even today is evident, considering the respect with which 20th century painters consider his work.

Pablo Picasso presented a homage to Velázquez in 1957 when he recreated Las Meninas in 58 variations, in his characteristically cubist form.






Salvador Dalí, created in 1958 a work entitled Velázquez Painting the Infanta Margarita With the Lights and Shadows of His Own Glory. The color scheme shows Dalí's serious tribute to Velázquez.




The Anglo-Irish painter Francis Bacon found Velázquez's portrait of Pope Innocent X to be one of the greatest portraits ever made. He created several expressionist variations of this piece in the 1950s. One such famous variation, entitled Figure with Meat (1954), shows the pope between two halves of a bisected cow.

Judith Beheading Holofernes, Caravaggio





Judith Beheading Holofernes was painted in 1598-99 by Caravaggio in the studio of his father. Now this painting is on the  Galleria Nazionale d'Arte Antica at Palazzo Barberini, in Rome.


Bild-Ottavio Leoni, Caravaggio.jpg
Caravaggio
This painting is 144 cm x 195 cm. It shows a dead general (Holofernes) beheaded by Judith, the woman who seduced him in less than one night. This painting provoked reactions of horror and surprise to the visitors from its first headquarters, as Caravaggio managed to give the work of great realism and rawness. Juditt is shown standing majestic and unmoved, while her maid, who gives her the sword, is nervous and waiting for what might happen.

Judith Beheading Holofernes by Caravaggio.jpg
Judith Beheading Holofernes

It has a Baroque style. The Baroque is often thought of as period or artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, architecture, literature, dance, and music. The style began around 1600 in Rome, Italy and spread to most of Europe.

The beheading of Holofernes was a favourite subject of the age, depicted by such names as Donatello, Sandro Botticelli, Andrea Mantegna, Giorgione, Artemisia Gentileschi, and Lucas Cranach the Elder, among many others. Caravaggio's approach was, typically, to choose the moment of greatest dramatic impact, the moment of the decapitation itself.

Sources:

- http://es.wikipedia.org/wiki/Judit_y_Holofernes_%28Caravaggio%29
- http://en.wikipedia.org/wiki/Judith_Beheading_Holofernes_%28Caravaggio%29
- http://www.artecreha.com/Iconograf%C3%ADa/judith-y-holofernes.html
- http://en.wikipedia.org/wiki/Baroque
- https://www.google.es/imghp?hl=es&tab=wi&ei=NzZuVMGGE4mgyQSmjIL4Bg&ved=0CAQQqi4oAg





Christ embracing Saint Bernard (Francisco Ribalta)

PAINTING: Christ embracing Saint Bernard, (Ribalta)

Author:
Ribalta minimizes the color to do an almost monochromatic scene. Light from left shoulder causes white habit and anatomy of Christ, resulting in countless shades of ivory that cause an almost sculptural aspect. The chiaroscuro effect shows the influence of Caravaggio's work Ribalta, who also seems to be inspired by Sebastiano del Piombo images for the powerful figure of Christ. This picture was painted for the Certosa Portaceli, around Valencia, and probably it be the most beautiful work of Francisco Ribalta few did throughout his life. Illustrates like no other Spanish plastic painting in his period, the delivery mystical Christian soul to Christ served with a placidity and a intensity without former.



Work:
This work is one of the most beautiful of Spanish Baroque painting and gives a perfect idea of the prevailing deeply religious mentality in the period. In this work you can see Christ sitting hugging St. Bernard, a monk with great faith, while kneeling. If we analyze the painting we can see the presence of gloomy, dark background where you can barely see the faces of angels, the light bulb that illuminates the body of Christ and of the monk and the play of shadows is spectacular. It is an oil on canvas painting, texture and color as they reveal simple humble and friendly characters. You can feel the simplicity of form and in composition, the presence of naturalism.



Bibliography:
- https://www.museodelprado.es/coleccion/galeria-on-line/galeria-on-line/obra/cristo-abrazando-a-san-bernardo/
- http://historia-arte-dioses.blogspot.com.es/2013/02/cristo-abrazando-san-bernardo-espana.html

- https://arte2bac.wordpress.com/2013/03/03/francisco-ribalta-cristo-abrazando-a-san-bernardo/

The Bearded Woman by Ribera

This painting was made by Ribera in 1631. It formed part of the Foundation Marries Ducal of Medinaceli and actually is conserved in the hospital of Tavera in Toledo. It was made in oleo with the dimensions of 196x127 centimetres.

With respect to the festures in painting of the Baroque art this picture has almost all: painted in oil, colour over drawing, use of warm colours,contract with light and shadow, realism and complex compositions.

In this picture the woman was giving the baby of sucking. And the woman´s husband was behind them. There were some headstone that have written a large incription that was entitled "The great miracle of the nature" but in latin.

In this picture we can see a woman, Magdalena Ventura, and her husband. Magdalena was invited to the royal palace of Naples by Fernando Afán de Ribera and Téllez-Girón, duque of Alcala and viceroy of Naples, when he known her existence to be portrayed. It was made in five days and we know its date because the ambassador of Venice describe his visit to this palace in a letter the 11 of February of 1631 during the picture was making up.



This painting was made by José de Ribera who was born in Játiva in Spain. He was a Spanish painter who was developed his life and degree in Italy especially in Naples. His other name was "Giuseppe Ribera" and his nickname was "Lo Spagnoletto".


To find the information I use:










The Conversion of Saint Paul

The conversion of Saint Paul

(By the Italian painter Caravaggio)

Caravaggio was born as Michelangelo Merisi in Italy around 1571. He was orphaned at age 11 and apprenticed with a painter in Milan. He moved to Rome, where his work became popular for the tenebrism technique he used, which used shadow to emphasize lighter areas. His career, however, was short-lived. Caravaggio killed a man during a brawl and fled Rome. He died not long after, on July 18, 1610.



source:http://search.iminent.com/SearchTheWeb/v6/3082/toolbox/Result.aspx#q=Caravaggio%20autorretrato&s=images&p=1

This painting was made in 1600-1601 and it is in the Odescalchi Balvi Collection, in Rome.his paint was commissioner by a Monsignor Tiberio Cerasi.

This painting was made by oil and cypress wood, the dimension were 237cm x 189cm (93in x 74in), and at present continued to stay in the same localization.




In this painting have a religious significance, It represent when saul(before call Paul) whent to persecute Christians but he failed down of his horse and became blind, when he has a vision of Christ when he became to see, he started to believe in Good, And he tried to represent this relat of the Biblia in this painting.

In the painting we can see:

-  Four men and a horse

- in the left of the painting we can see a man with a hat, and armature with wapons like a heroe who tried to help the other man, next to him there are a man on the floor whit his hands on his ayes he had a big bear and brown , and he is almost naked. In the center of the paint we can see a brown horse wich its too nervous. In the right courner there are two men. One had a black t-shirt , and the other its like an angel who tried top stop the other man. this painting have all the backgound in black and the figures of the mens and the horse are in bright colours.

webs: http://www.biography.com/people/caravaggio-9237777

http://en.wikipedia.org/wiki/The_Conversion_of_Saint_Paul_(Caravaggio)

http://www.bc.edu/bc_org/avp/cas/his/CoreArt/art/bar_cvggo_conv.html

Syndics of the Drapers' Guild, by Rembrandt


Syndics of the Drapers' Guild

It is a 1662 oil painting that is in the Rijksmuseum in Amsterdam, and it is 191’5 cm high and 279 cm wide, the work of art has Rembrandt’s signature in the upper right corner, on the wall.

Rembrandt was a famous Dutch painter who was born on the 15th of July in 1606 in Leiden, and he died on the 4th of October (in) 1669. He stands out in the Baroque period, (apart from his natural talent) because he painted in the golden period of Holland. He dominatedthe themes of his homeland, portraits and the daily life.
On this picture, Rembrandt portrayed them looking up from their work, as though disturbed by our arrival. This artistic device was a clever way of enlivening the scene and thereby involving the viewer. This late work by Rembrandt not only attest to his endless creativity, but also to his undiminished popularity among the citizens of Amsterdam.
As we can see, there are five Staalmeesters (members of the syndics of the drapers guild) controlling the quality of the drape.
As we can see, there are five Staalmeesters (members of the syndics of the drapers guild) controlling the quality of the drape.
This was a post for which they didn’t receive money (for work on it) and they were electedfor a period of one year. Probably, the people who are painted in this work are Jacob van Loon, Volckert Jansz, Willem van Doeyenburg ( the president ), Aernout of the Meye and Jochem the Neve, and behind them a servant is represented. We can distinguish him because he is the only person who is not wearing a hat.
In the center of the painting we can see that are reading a book, probably the economy book of the guild.




One curious thing of this painting is its casual discovery in Puerto Rico, by the painter Peter Van Delfi, who obtained the work for 140$ thinking that it was a copy, but John Baron van Palland, an expert in Dutch paintings identified it as the original on the 20th of April in 1968. 
Photo sources

Rembrandt self portrait: 

THE JUDGMENT OF PARIS ( RUBENS )




The Judgement of Paris was a contest between the three most beautiful goddesses of Olympos--Aphrodite, Hera and Athena for the prize of a golden apple addressed to "the fairest"

History of this work :The story begins at the Wedding of Peleus and Thetis to which all of the gods were invited, except Eris. She was turned away, and in her anger cast a golden apple amongst the assembled goddesses addressed "To the Fairest."Three goddesses laid claim to the apple--Aphrodite, Hera and Athena. Zeus was asked to mediate and he commanded Hermes to lead the three goddesses to Paris of Troy to decide the issue.The three goddesses appearing before the shepherd prince, each offering him gifts for favour. He chose Aphrodite, the most beautiful woman, for wife. The subsequent abduction of Helene led directly to the Trojan War and the fall of the city.




Dimensions : 144.8 cm x 193.7 cm and this work is located in National Gallery in London.


Source : 
                                http://en.wikipedia.org/wiki/Judgement_of_Paris



There are two version of this work:


  1.1636: This version follows the story narrated in Lucinas's 'Judgement of the Goddesses'. It shows the award of the golden apple, though alterations Rubens first painted an earlier point in the story, when the goddesses are ordered to undress by Mercury. It was bought for the National Gallery in London in 1844

2. 1638This version is now in the Prado. It was commissioned by Philip IV of Spanish's brother Cardinal - Infant Ferdinand of Austria and after Ferdinand's death moved to the Spanish royal collection. In 1788 Charles III of Spain decided it was immodest and ordered the painting to be burned, but he died before that the order could be carried out. This was completed before his death.


 Characteristics of the three Goddesses :

- Hera: is the wife of Zeus and a matriarchal symbol of marriage and domesticity, childbirth, and the home. Her feminine power and divine authority as well as the cognitive wherewithal to defend , often through clever contrivance , the absolute sovereignty of her home makes her the icon of the city-state

- Athena: is the par excellence goddess of war and wisdom, which to modern sensibilities may seem like an oxymoron. In Homer she is the great protector of Odysseus and other Greek warriors.

- Aphrodite: wins the prize of course. We recognize here that the contest is not really much of a contest as Aphrodite alone personifies beauty. Paris could hardly choose otherwise. She is also the archetype of love and fertility.


Characteristics of Baroque art:

Main features: use of oil painting , predominance of colour over drawing, use of warm colours, contrast of light and shadow ( chiaroscuro ) , realism , movement , complex compositioms ( foreshortened figures , asymmetry , curved lines ... ) n order to shock the audience.




Others works by Rubens:

Venus at the miror ( 1615 ) , Infanta Isabella Clara Eugenia ( 1566 - 1633 ) . Venus and Adonis. The Birth of the Milky Way in Madrid ( Capital of Spain ). etc.....

There are mythological and early works of Rubens.



                      Soruce:   http://www.nationalgallery.org.uk/artists/peter-paul-rubens

Sources: 

   http://en.wikipedia.org/wiki/Judgement_of_Paris
   http://www.nationalgallery.org.uk/artists/peter-paul-rubens
   http://www.peterpaulrubens.net/the-judgement-of-paris.jsp              
   http://public.wsu.edu/~hughesc/judgment_of_Paris.htm
   Book of third E.S.O