PAINTING: Christ embracing Saint Bernard, (Ribalta)
Author:
Ribalta
minimizes the color to do an almost monochromatic scene. Light from left
shoulder causes white habit and anatomy of Christ, resulting in countless
shades of ivory that cause an almost sculptural aspect. The chiaroscuro effect
shows the influence of Caravaggio's work Ribalta, who also seems to be inspired
by Sebastiano del Piombo images for the powerful figure of Christ. This picture
was painted for the Certosa Portaceli, around Valencia, and probably it be the
most beautiful work of Francisco Ribalta few did throughout his life.
Illustrates like no other Spanish plastic painting in his period, the delivery
mystical Christian soul to Christ served with a placidity and a intensity
without former.
Work:
This work is one
of the most beautiful of Spanish Baroque painting and gives a perfect idea of
the prevailing deeply religious mentality in the period. In this work you can
see Christ sitting hugging St. Bernard, a monk with great faith, while
kneeling. If we analyze the painting we can see the presence of gloomy, dark
background where you can barely see the faces of angels, the light bulb that
illuminates the body of Christ and of the monk and the play of shadows is
spectacular. It is an oil on canvas painting, texture and color as they reveal
simple humble and friendly characters. You can feel the simplicity of form and
in composition, the presence of naturalism.
Bibliography:
- https://www.museodelprado.es/coleccion/galeria-on-line/galeria-on-line/obra/cristo-abrazando-a-san-bernardo/
- http://historia-arte-dioses.blogspot.com.es/2013/02/cristo-abrazando-san-bernardo-espana.html
- https://arte2bac.wordpress.com/2013/03/03/francisco-ribalta-cristo-abrazando-a-san-bernardo/
1 comment:
You had to write the title and author of your work in the title box. I didn't know that your work was here and I've found it by pure chance. You have to follow the instructions.
These are my corrections to your text:
Ribalta minimizes the color to do an almost monochromatic scene. Light from left shoulder and the white habit and anatomy of Christ, resulting in countless shades of ivory that cause an almost sculptural aspect. The chiaroscuro effect shows the influence of Caravaggio's work Ribalta, who also seems to be inspired by Sebastiano del Piombo images for the powerful figure of Christ. This picture was painted for the Certosa Portaceli, around Valencia, and probably it is the most beautiful work Francisco Ribalta made throughout his life.
This sentence in brackets has no sense: ( Illustrates like no other Spanish plastic painting in his period, the delivery mystical Christian soul to Christ served with a placidity and a intensity without former. ) You can’t translate word by word.
Work:
This work is one of the most beautiful of Spanish Baroque painting and gives a perfect idea of the prevailing deeply religious mentality in the period. In this work you can see Christ sitting hugging St. Bernard, a monk with great faith, while kneeling. If we analyze the painting we can see the presence of gloomy, dark background where you can barely see the faces of angels, the light bulb that illuminates the body of Christ and of the monk and the play of shadows is spectacular. It is an oil on canvas painting, texture and color as they reveal simple humble and friendly characters. You can feel the simplicity of form and in composition, the presence of naturalism.
You have forgotten important data: size, Baroque features… This work deserves only 5 points.
Post a Comment