Today is the first class of Social Sciences of
the third term and it’s my turn to write the journal. Today we have reviewed
the things we studied about Goya the last day before the Holy Week’s holidays. We
have reviewed at first the beginnings of Goya, when he became the court
painter, his luminous and colorist paintings… and then we have focused on the
period when Goya became deaf and his painting style totally changed to a more
personal, critical and free one. He continued working as the court painter but
at the same time he made his personal series of etchings: Fantasies (This
series of etchings criticized the clergy, the Inquisition, the convenience
marriages) Bullfighting and the Follies(in this series he reflected his outlook
on humanity and his fear of insanity)
The Sleep of Reason Produces Monstershttp://en.wikipedia.org/wiki/The_Sleep_of_Reason_Produces_Monsters |
A way of flying
http://en.wikipedia.org/wiki/Los_disparates
And one war
that deeply affected Goya was the Peninsular War so he painted
some dark etchings which reflect the violence between the French and the
Spaniards. Here Paqui has told us that Goya was a Francophile and an enlightened
person, and that’s why he refused violence.
After the
war, he painted his masterpieces: The Charge of the Mamelukes and The Third of
May of 1808, but his problems with Ferdinand VII, his liberal ideas, his work
for Joseph I put him into trouble and finally he was fired and he retired to a
house on the banks of the river Manzanares, called House of the Deaf Man.
The Third of May of 1808 http://www.allposters.com/-sp/The-Third-of-May-1808-Painted-in-1814-Posters_i2589493_.htm |
The Charge of the Mamelukes http://en.wikipedia.org/wiki/The_Second_of_May_1808
After seeing and commenting some of the darkest paintings of Goya (for example: Saturn devouring his son, Women laughing…) and the last painting he made (The Milkmaid of Bordeaux) Paqui has explained us that Goya was a genius because he was the precursor of other styles like: romanticism, realism, expressionism, surrealism and also War photography.
The Milkmaid
of Bordeaux Women laughing
http://www.wga.hu/html_m/g/goya/8/812goya.html http://en.wikipedia.org/wiki/Man_Mocked_by_Two_Women
Then, Paqui
has explained us that some painters like Picasso and Manet made a painting
similar to The Third of May of 1808
http://es.slideshare.net/rommeldak/tema-12-arte-neoclsico-y-goya
Also, as we
have seen The Persistence of Memory by Salvador Dalí. Paqui has talked a little about
him and after seeing his painting The Great Masturbator, Paqui has told us that Dali
used to paint his face in his drawings and that he was
homosexual but he rejected his own homosexuality. The last thing Paqui has said about him is that Lorca fell in love with Dalí, but he rejected his love, because he thought it wasn't proper love. He was a very close friend of Dalí together with Luis Buñuel
The Great Masturbator http://www.dali.com/blog/great-masturbator-a-reflection-of-25-year-old-dalis-inner-world/ |
The Persistence of Memory
http://www.davidwiesner.com/work/hello-dali/the-persistence-of-memory-hi/
https://www.flickr.com/photos/etecemedios/1117275050/
To end with the class we have copied a scheme about Goya.
Today we
have only copied three words on the glossary:
Introvert: Introvertido
Bitter: Amargado
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ReplyDelete
ReplyDeleteGood afternoon Carla! I've been reading your journal and it's very complete. You have talked about all we have done in the lesson.
By the way, while I was reading this part "After the wear, he painted his masterpieces: The Charge of the Mamelukes..." I found a mistake. I suppose you want to write "war" instead of "wear" haha.
Good job!!
Hello Minerva !
ReplyDeleteYes you're right, I have written everything very quickly and I have committed stupid mistakes xD I'll change it now.
Thanks for commenting in my journal!
See you tomorrow in class
Bye :)
Hello Carla,
ReplyDeleteYo've made a good work, as always. There are some small mistakes and some corrections I have to do about what I said about Dalí and Lorca and what you've written about Dalí:
- I said that Dalí fell in love with LOrca and this one didn't correspond him, but I made a mistake. It was on the other way around. LOrca fell in love with Dalí, but this one rejected his love, because he thought it wasn't proper love. Probably he also loved Lorca, but he didn't recognize this love.
- Dalí wasn't homophobe. This means that he rejected homsexuals. What he rejected was his own homosexuality, which is different.
Here you have an interesting article about their relationship:
http://cultura.elpais.com/cultura/2013/06/17/actualidad/1371498538_661276.html
These are my corrections:
Today is the first class of Social Sciences of the third term and it’s my turn to write the journal. Today we have reviewed the things we studied about Goya the last day before the Holy Week’s holidays. We have reviewed at first the beginnings of Goya, when he became the court painter, his luminous and colorist paintings… and then we have focused on the period when Goya became deaf and his painting style totally changed to a more personal, critical and free one. He continued working as the court painter but at the same time he made his personal series of etchings: Fantasies (This series of etchings criticized the clergy, the Inquisition, the convenience marriages) Bullfighting and the Follies(in this series he reflected his outlook on humanity and his fear of insanity)
And one war that deeply affected Goya was the Peninsular War so he painted some dark etchings which reflect the violence between the French and the Spaniards. Here Paqui has said tous/told us that Goya was a Francophile and an enlightened person, and that’s why he refused violence.
The last thing Paqui has said about him is that he fell in love with Lorca. He was a very close friend of Dalí together with Luis Buñuel.
That's all. Bye!
Wuau Paqui, what a great story behind all those letters but, there's a thing I haven't understand, Dalí said to Lorca that he had to maintain a relation with Margarita Manso to avoid rumors? In that case I think it's a little cruel because Lorca was homosexual, and maintaining a relation with a woman only because Dalí said it to him...
ReplyDeleteHelo Carla,
ReplyDeleteDali was a voyeur. He liked watching other people having sexual intercourse (he did the same with his wife, Gala, many times). He convinced LOrca to do that with Margarita Manso, but later he didn't give LOrca what he promised. It was a complicated relationship. I recommend you to watch the last episode of El ministerio del tiempo. It was about the time of the REsidencia de EStudiantes and you will see that LOrca was in love with DAlí, but this one didn't accept this love:
http://www.rtve.es/alacarta/videos/el-ministerio-del-tiempo/emdt-108-mosca-120415/3086859/
I agree with you. It was cruel from DAlí. I prefer Lorca ;)
Bye!