The Meninas (or Philip IV’s family) is a
baroque painting by the Spanish painter Diego Velázquez. It was finished in
1656. It is characterized for its big size. In the painting, the Meninas are
the women who are next to Infant Margarita, who was Philip IV’s and Mariana of
Austria’s daughter, whose silhouettes we can see reflected on the mirror at the
background. We can appreciate the presence of humble figures, such as the dog,
the Meninas and the dwarfs. At the background, in the wall, there are some
paintings, which have been identified as copies of Rubens’ works.
The Infant Margarita is the center of all the
characters, who project from the Infant to the mirror, and to the door at the
background (elements which give a great depth to the work. In this painting, Velázquez
uses, simultaneously, long and fluid brush-strokes; and precise and short
brush-strokes (as we can observe in the Infants’ dresses. This combination of
brush-strokes gives realism to the painting, that is an important feature of
Barroque art: there are different textures which make the image “go out” of the
canvas and the scene seems to be alive.
Other Baroque painting characteristics we can
observe in this painting are the use of oil painting, predominance of colour
over drawing and contrast of light and shadow (known as chiaroscuro). The light
has a great importance in this painting, which has two different light focuses:
the one which is over the figures of the people and the dog at de foreground
and the one on the door at the background.
The softened outlines with the
chiaroscuro make the painting deeper. There is great chromatic diversity: there
is contrast between black, white and red. The scene took place in a bedroom in the
Alcázar of Madrid, so we know that this painting belongs to the last years that
Velázquez spent in Madrid. At the beginning this painting was called “Family
Portrait”, but later it started being called “The Meninas” in 1843, due to the
Portuguese word “Menina” which means maid of honor.
Diego Velázquez, born in
Seville in 1599, is considered to be the most important baroque painter in
Spain. His first works reflect the influence of Italian painters like
Caravaggio, mainly in the use of chiaroscuro and naturalism in the images.
Since he visited Rome, Venice and Naples, he was influenced by Venetian
painters and he did looser brush-strokes.
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ReplyDeleteHello,
ReplyDeleteThese are my corrections and comments:
-…a Baroque painting by the Spanish painter Diego Velázquez.
- In the background, on the wall, there are some paintings…
- The Infant Margarita is the center of all the figures, who are projected from the Infant to the mirror, and to the door in the background (elements which give a great depth to the work). In this painting, Velázquez uses, simultaneously, long and fluid brush-strokes; and precise and short brush-strokes (as we can observe in the Infants’ dresses). This combination of brush-strokes gives realism to the painting, that is an important feature of Baroque art:
- Other Baroque painting characteristics we can observe on this painting are the use of oil painting...
- the one which is over the figures of the people and the dog in the foreground and the one on the door in the background.
- The scene took place in a room in the Alcázar of Madrid, so we know that this painting belongs to the last years that Velázquez spent in Madrid.
- Diego Velázquez, born in Seville in 1599, is considered to be the most important Baroque painter in Spain. His first works reflect the influence of Italian painters like Caravaggio, mainly in the use of chiaroscuro and naturalism in the images. Since he visited Rome, Venice and Naples, he was influenced by Venetian painters and his brush-strokes became looser
This painting has a lot to say about and you could have done it much better: size, material, commissioner…You haven’t said anything about the composition nor Velázquez’s cross on his chest. There is another version of The Meninas in Great Britain.
I think you could have done a bigger effort. Your mark is 7.5 Bye.